On the screen’s digital surface abstract machine codes appear as sensual images, readable by humans. Visualized machine instructions make up their semantics and are the base for human instructions. On a cinema screen, these images are detached from their initial meaning. They condense on the picture base and swash into our eyes. Like a random rhizome structure, an associative montage of minimalistic user interfaces follows the film’s timeline. Our body perception and our interpretation formed by media conditions become protagonists in a film without narrative.
