Solo performance created through the project Poéticas Sonoras by Chilean musician Jayson Hernandez Rojas in partnership with the residency promoted by the Dance Reference Center in São Paulo (CRDSP). The performance brings the visibility of a body in a conflict of opposites between mobility and immobility, confinement and freedom, a dance of contradictions. From binary opposites in friction, multiple diversity can arise.
Sonia Leber and David Chesworth are known for their distinctive installations using video, sound, architecture and public participation. Developed through expansive research in places undergoing social change, Leber and Chesworth’s works are speculative and archaeological, responding to architectural, social and technological settings. Their highly detailed, conceptual videoworks emerge from the real but exist significantly in the realm of the imaginary. Leber and Chesworth’s artworks have been shown in the central exhibitions of the 56th Venice Biennale: All The World’s Futures (2015), the 19th Biennale of Sydney: You Imagine What You Desire (2014) and a parallel exhibition of the 5th Moscow Biennale (2013). Leber and Chesworth were awarded the Substation Contemporary Art Prize (2016); Gold Coast Art Prize (2014); and Screengrab International Media Arts Award (2014). They were finalists in the Blake Prize (2016); Incinerator Art Award for Social Change (2016 & 2018); and the Melbourne Prize for Urban Sculpture (2011). They have been commissioned to create site-specific works for public spaces in Australia, New Zealand, Wales, and Slovenia. Collections include Museum of Modern Art in Warsaw; National Gallery of Victoria; Art Gallery of Western Australia; RMIT Gallery, Melbourne; Gold Coast City Gallery; Mildura Arts Centre; and Australian Centre for the Moving Image.
