Clockwise (2021) is a generative and experimental audiovisual piece that explores the concept of space-time, Zeno’s paradoxes related to the infinite subdivision of the units of measurement of space and time (dichotomy and arrow paradoxes), and their experimental abstract audiovisual representations. Different geometric patterns emerge chaotically in the audiovisual piece as they are recursively decomposed and subdivided using randomness, noise and data extracted from the audio to determine the polygonal subdivision technique to apply, the color palette to use, 3d transformation properties (position, scale and rotation) and many other visual aspects. In the visual design Toni Mitjanit was inspired by the mosaics of the pop artist Eduardo Paolozzi and the tapestries of Gunta Stölzl and the Bauhaus school, but applying a very close approach to pixel art and visual music.
