A poetic reflection on anomie and desire, experienced through the vernacular of pulp-noir. As nightfall unravels into surreal fever dream, the landscape pitches into unrest. Whose interests steer us through the dark night of the soul?
Johannes DeYoung is a multidisciplinary artist who works at the intersection of computational and material processes. His moving-image works have been exhibited internationally in galleries and museums in countries such as Australia, Brazil, Canada, Germany, Ireland, Spain, Taiwan, and the USA, as well as being featured in The New York Times, The New York Post, The Huffington Post, and Dossier Journal. He is Assistant Professor of Electronic and Time-Based Media at Carnegie Mellon University. He previously taught at Yale University School of Art (2008–2018), where he was appointed Senior Critic and Director of the Center for Collaborative Arts and Media, and at the Yale School of Drama, where he was appointed Lecturer in Design.
