In my work, the “natural” or human appears as an object, a sheet that decorates the imaginary space and also appears as a disembodied organ that lies over a sheet that has the appearance of human skin. Figures inhabit a cartesian abstract space that situates them in an unreachable place: a digital environment. By representing the “natural” by the means of “unnatural” techniques of software, I attempted to represent the way in which the human or the body in human inhabits the technical environment: by means of representation. This artwork proposes to think about human connection in its negative form: about the impossibility of the real concrete body to touch or contact the digital, and the substitute reliance on representation and liminal communication.
