An audiovisual performance in several tableaus, Echo Chamber takes its inspiration from technologies that let us probe inside the body, such as ultrasound and acupuncture, generating a sound composition in which the idea of resonance predominates.

In creating a modular interface of three panels allowing multiple manipulations, Messier has determined the boundaries of the possibilities for the performance of a choreography of sound and light.

Like the ultrasound needle palpating the body to reveal what might be in its interior – a living yet invisible presence? – Messier’s performative gestures are the sources of images in which the body eventually appears, magnified as a transported shadow.

Carrier of an electric charge, the matter of the body itself is a vehicle, a vector. This is what the final sequence of EchoChamber suggests: the link between the world and the self, between the outside and the inside – remanence emanating from the echo chamber.

BY  Martin Messier (CA)

For more than 15 years, Martin Messier has created works in which sound meets images and objects. In the form of performances and installations – with a choreographic tone – , these works place the body front and centre. After studying composition at l’Université de Montréal, Martin began an experimental sound practice that integrated video images. He quickly developed performative audiovisual apparatuses that brought everyday objects and the sound potential of their various materials to the stage. A number of collaborative projects were carried out over the years, notably with artists Nicolas Bernier, Caroline Laurin-Beaucage, Anne Thériault, and Jacques Poulin-Denis Martin’s latest performance project, ASHES, marks his first collaboration with French artist Yro (Élie Blanchard). In 2010, he established 14 lieux, a company dedicated to producing sound works for the stage, and has been its general and artistic director since then. He lives and works in Montreal.